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"Jaka's Story", a tragic character study dealing with gender roles and the political suppression of art, is generally cited as the series' pinnacle of narrative achievement. Later issues of the series became highly personal and began to alienate many long-time fans, his female readers especially. Issue #186 (collected in Reads) contained a lengthy prose section that was attacked by some readers and critics for what they perceived as overt misogyny, but which Sim describes as "anti-feminism". During this part of the story, the storyline consisted of a textual treatise written by Viktor Davis, a fictional "reads" author, interspersed with the main Cerebus storyline. In Davis' material, he refers to the "creative male light" and the "emotional female void", a reversal of the gender-based view of creation espoused by the Judge at the end of Church and State (namely, the "female light" being raped by the "male void" and shattering into the physical universe). As Sim himself says in an interview with The Comics Journal, "Cerebus #1-200 [is] the completion of the story. The yin and yang. The ultra-female reading. The ultra-male reading. I'm attaching an allegory to the Big Bang. You make up your mind which one's the pit and which one's the top of the mountain. " By the end of the series, the Void is again male and identified as God, and the Light is female, now identified with YHWH. Issue #186 was followed by an even harsher essay in the back of issue #265 called "Tangent", in which Sim identified a "feminist/homosexualist axis" that opposed traditional and rational societal values. This material appeared as Sim was retreating from public life and becoming more marginalized by his peers in the industry.

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